tag:blogger.com,1999:blog-6751655556487478342024-03-21T20:42:54.729-07:00SUNcharting the progress of National Art Service's latest theatre experience to be premièred at St. Leonard's Church, London in February 2014Jemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.comBlogger34125tag:blogger.com,1999:blog-675165555648747834.post-4810656819115190782014-04-10T15:59:00.002-07:002014-04-10T16:02:16.262-07:00After SUN<div class="separator" style="clear: both; text-align: left;">
<span style="clear: left; float: left; font-family: Courier New, Courier, monospace; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGQwcEkvUoef-RoQDf9g47rVkx0YbzCJC8ERdOleW4gJrR6Cb9UWkadI3EFNJYo1SdDRZm5Q_yNNOXrAkCxpzNw6Gncj1B216PIYMJYXOjKIZ6ZHQB8yOBtLtEDzXjBzN6vqaB_9wXwDo/s1600/IMG_4779.jpg" height="440" width="640" /></span></div>
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<span style="font-family: Courier New, Courier, monospace;">A lot has been said.</span><br />
<span style="font-family: Courier New, Courier, monospace;"><br /></span>
<span style="font-family: Courier New, Courier, monospace;">Thoughts maturing, no one is a harsher than we are.</span><br />
<span style="font-family: Courier New, Courier, monospace;"><br /></span>
<span style="font-family: Courier New, Courier, monospace;">"<i><span style="background-color: white; background-position: initial initial; background-repeat: initial initial; color: #222222;">The first weekend of March 2014 was interesting. On Saturday night, I
lived through two hours of shame for the wickedness of man brought onto me by
“Twelve Years a Slave”. On Sunday night, I lived through two hours of dream
about my legacy on Earth brought onto me by “SUN”. Both meant to help me
think about the destiny of humankind and my role in it. There is always
something hopeless about being forced to feel guilty for the past you cannot
change. There is always something hopeful about being invited to consider your
inevitable end and what you can change whilst still here. How would you choose
to learn the same lesson? Through shame and guilt? Or through dream and hope?
Later that Sunday, “Twelve Years a Slave” won an Oscar. My personal Oscar went
to “SUN”.</span></i></span><br />
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<span style="font-family: Courier New, Courier, monospace;"><span style="background-color: white; color: #222222; text-indent: -18pt;">- Oxana Popkova | s</span><span style="background-color: white; color: #222222;">een on 02 Mar 2014</span></span></div>
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<span style="font-family: Courier New, Courier, monospace;">"<span style="background-color: white; color: #222222;"><i>Collectively they struck me at various times as the children of Forced Entertainment, Punchdrunk, Shunt and maybe even Samuel Beckett. Not yet at those levels of accomplishment but with a commendable sense of aspiration.</i>" </span></span><br />
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<span style="background-color: white; color: #222222; font-family: Courier New, Courier, monospace;">- Donald Hutera, The Times | seen on 23 Feb 2014</span></div>
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<span style="clear: left; float: left; font-family: Courier New, Courier, monospace; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUyI5n-qbJxUWzSvJit_lm7kzZlFUNhVI8JrlrmZPQ-IdwrGz2gpWgMPp9DhkgnvxruZVUZPlnNiXo7es0pBLP7ontC9LEXLlPTWH09lucdxkIyveQv4sYTTfMNfHq_ywbIEr777XhtWU/s1600/IMG_3173.JPG" height="426" width="640" /></span></div>
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<span style="font-family: Courier New, Courier, monospace;">"<span style="color: #444444; font-style: italic;">The play is a uniquely experimental venture, presented by the National
Art Service who have been creating independent theatre since 2010. They say:
“We believe in respecting our audiences and their ability to think for
themselves.” As you re-enter the world via the crowds of Shoreditch High
Street, </span><span style="color: #444444;">SUN</span><span style="color: #444444;"><i> certainly keeps you thinking.</i>"</span></span><br />
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<span style="color: #444444; font-family: Courier New, Courier, monospace;">- Kate Knowles, The Upcoming | seen on 06 Feb 2014</span></div>
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<!--StartFragment--><!--EndFragment--><span style="font-family: Courier New, Courier, monospace;"><span style="color: #333333; text-align: justify;"><br /></span>
<span style="color: #333333; text-align: justify;">"</span><span style="background-color: white; color: #4b4b4b;"><i>The setting of the piece was inspired, the huge partly lit church echoing to the sounds of the action and repeatedly transformed by innovative light and sound design. The audience shuffle in and are seated nervously on pews inside the vast nave of the church, not knowing what to expect. The actors are, at times, uncomfortably close but this only adds to the intensity of this brave and thought provoking play.</i></span></span><br />
<span style="font-family: Courier New, Courier, monospace;"><span style="background-color: white; color: #4b4b4b;"><i><br /></i></span>
<span style="color: #4b4b4b;"><i>For those that like their theatre linear and straightforward then this might prove difficult viewing. For anyone willing to try something bold, thought provoking and experimental then this comes highly recommended. Just one tip though: wear plenty of warm clothes. Cavernous churches in an English winter aren’t the warmest of places. I left the church feeling cold, slightly dazed yet ultimately glad of the chance to witness this spectacle.</i>"</span></span><br />
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<span style="color: #4b4b4b; font-family: Courier New, Courier, monospace;">- Chris Bridges, Plays to See | seen on 7 Feb 2014</span></div>
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<span style="font-family: Courier New, Courier, monospace;">"<span style="background-color: white; color: #333333;"><i>Beckett, if he was still alive, and loved
Roland Emmerich movies</i>"</span></span><br />
<span style="font-family: Courier New, Courier, monospace;">
</span>
<div style="text-align: right;">
<span style="background-color: white; color: #333333; font-family: Courier New, Courier, monospace;">- Jason Fitzpatrick | seen on 05 Feb 2014</span></div>
<span style="font-family: Courier New, Courier, monospace;"><br /></span>
<span style="font-family: Courier New, Courier, monospace;"><span style="color: #333333;">"</span><span lang="EN-US" style="color: #222222;"><i>EXCELLENT ACTING. I
thought everyone was very good, I was intrigued by the variation in acting
styles and choices. I can see an ecliptic group of people who brought their own
flavours to the broth.</i>" </span></span><br />
<span style="font-family: Courier New, Courier, monospace;">
</span>
<div style="text-align: right;">
<span lang="EN-US" style="color: #222222; font-family: Courier New, Courier, monospace;">- Ana Lucia RG</span></div>
<span style="font-family: Courier New, Courier, monospace;"><span lang="EN-US" style="color: #222222;"><br /></span>
<span lang="EN-US" style="color: #222222;">"<i>... </i></span><span style="color: #444444;"><i>though some of it washed over me, other bits engaged or made me think.
It took place in a cavernous church and there was great use of sound, so it
became hard to tell whether there was really a storm or police cars outside, or
whether it was all happening inside. At one point, apropos of nothing, I
imagined a plane flying through the stained glass window at the end of the
church and killing us all.</i>" </span></span><br />
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</span>
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<span style="color: #444444; font-family: Courier New, Courier, monospace;">- Richard Herring | seen on 23 Feb 2014</span></div>
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<span style="color: #444444; font-family: Courier New, Courier, monospace;"><br /></span></div>
<span style="font-family: Courier New, Courier, monospace;"><span style="background-color: white; background-position: initial initial; background-repeat: initial initial; color: #333333;">"<i>It reminded me of a trip I once had, where I took so much acid I thought I had died. I loved it.</i>"<span class="apple-converted-space"> </span></span><span style="color: #333333;"><br /></span></span><br />
<div style="text-align: right;">
<span style="color: #333333; font-family: Courier New, Courier, monospace;">- Reuben Forster | seen on 03 Feb 2014</span></div>
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<span style="color: #333333; font-family: Courier New, Courier, monospace;"><br /></span></div>
<div style="text-align: left;">
<span style="font-family: Courier New, Courier, monospace;"><span style="color: #444444;">"</span><span style="text-align: justify;"><span style="color: #333333;">SUN<i> </i></span></span><span style="color: #333333; text-align: justify;"><i>very often
hits the mark. A marriage disintegrates painfully, pointlessly; played first by
one pair of actors then repeated in tandem by others, echoing and overlapping,
marking the plurality of what we so commonly regard as utterly singular experiences.
The concept of ownership disintegrates. Friends gather on the last night of the
world and have no real idea of what to do. There is no sense of panic, or fear,
just a somewhat uncooperative question mark hanging in the air. What would we
do on our last night on Earth? Dance, drink, say everything we have left
unsaid? Contemplate suicide? Or have completely inane conversations and eat dry
spaghetti? The willingness to explore all of these avenues is one of Sun’s
strengths; the revelation that there may be no revelation at the end of
days, that it is an insurmountable concept which may not engender profound
acts, but ordinary, seemingly purposeless and therefore sincerely human ones.</i>"</span></span></div>
<div style="text-align: right;">
<span style="color: #333333; font-family: Courier New, Courier, monospace; text-align: justify;">- Mary Halton, Exeunt | seen on 6 Feb 2014</span></div>
Jemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-3626074322152470502014-03-01T02:26:00.001-08:002014-04-12T14:32:38.201-07:00☀☀<br />
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<br />Jemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-13164201545218869742014-02-19T17:20:00.001-08:002014-02-19T17:23:50.396-08:00reviewsReviews are wonderful in many ways. An idea has germinated into something real, and here are people who generate new material from it, around it, thoughts, ideas, opinions, a conversation begins. We've been looking at all the different ways to use this to its maximum potential. Whilst star ratings and press opinions are useful, at the end of the day, what is equally important to us is the feedback we receive separately from audiences, especially those outside the 'industry'. In light of that, here is a selection of both press and audience feedback we've attained from our first two weeks of performance.<br />
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/////Press Reviews/////</div>
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/////Audience Feedback/////</div>
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"It made me feel glad to be alive, alive and human."</div>
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"It reminded me of a trip I once had, where I took so much acid I thought I had died. I loved it."</div>
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"Beckett, if he was still alive, and loved Roland Emmerich movies."</div>
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"Spellbinding... I don't know if I could see it three times, but I'll certainly see you next week. </div>
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"Extraordinary - a privilege to see SUN tonight - the lightness of touch economy, of Alan Fielden's writing and direction - creative cast - sound scape pitched perfectly to allow disorientation (was that police car on the track or outside?) but for me the star turn were the candles!!! The beautiful simple poetic candles - thanks to Ziggy Jacobs lighting design."</div>
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Across the board is a unanimous acknowledgement of the ambitions and high quality of production. Reading many of the media reviews brings me back to a time (not so long ago) where we were having a lot of trouble articulating what SUN was <i>about</i>. In a way, the critics have done that for us. I wonder what image is conjured when all these descriptions are put next to each other. Let's see... </div>
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<span style="font-family: Courier New, Courier, monospace;">"A group of people sit around a table, eating the remains of the food that they have left, waiting for a major event to occur. Conjoined twins glory in the freedom they have been granted when the fabric of society has changed and they can escape the world of hospitals. A woman reveals that she’s been having a long-term affair but none of it maters fully as the human race is on the brink of extinction.</span></div>
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<span style="font-family: Courier New, Courier, monospace;">This play has a slightly experimental air; toying with absurdist concepts, serious drama and hyper-reality as well as a healthy blend of humour."</span></div>
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<em><strong><span style="font-family: Courier New, Courier, monospace;">Chris Bridges</span></strong></em></div>
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<span style="font-family: Courier New, Courier, monospace;"><span style="background-color: #fafafa; line-height: 25px; text-align: justify;">"A marriage disintegrates painfully, pointlessly; played first by one pair of actors then repeated in tandem by others, echoing and overlapping, marking the plurality of what we so commonly regard as utterly singular experiences. The concept of ownership disintegrates. Friends gather on the last night of the world and have no real idea of what to do. There is no sense of panic, or fear, just a somewhat uncooperative question mark hanging in the air. What would we do on our last night on Earth? Dance, drink, say everything we have left unsaid? Contemplate suicide? Or have completely inane conversations and eat dry spaghetti? The willingness to explore all of these avenues is one of </span><em style="background-color: #fafafa; line-height: 25px; text-align: justify;">Sun’s</em><span style="background-color: #fafafa; line-height: 25px; text-align: justify;">strengths; the revelation that there may be no revelation at the end of days, that it is an insurmountable concept which may not engender profound acts, but ordinary, seemingly purposeless and therefore sincerely human ones."</span></span></div>
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<span style="font-family: Courier New, Courier, monospace;"><b>Mary Halton</b></span></div>
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<span style="background-color: white; text-align: justify;"><span style="font-family: Courier New, Courier, monospace;">"The end of the world is fast approaching and everywhere people are whispering, shouting, arguing, laughing, getting drunk and dancing with one another in final, desperate attempts at communication and connection."</span></span><br />
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<span style="font-family: Courier New, Courier, monospace;"><b>Kate Knowles</b></span></div>
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<span style="background-color: white; line-height: 22px;"><span style="font-family: Courier New, Courier, monospace;">"The lamps are going out all over Europe (and the rest of the world) in National Art Service’s devised show ‘Sun’, a ponderous and pretentious piece that philosophises about the apocalypse. Against the magnificent backdrop of Shoreditch’s St Leonard’s Church, we watch couples, siblings and groups of friends trying to cope as the sun goes down for the last time in a series of fragmented, if loosely chronological scenes."</span></span><br />
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<span style="background-color: white; line-height: 22px;"><span style="font-family: Courier New, Courier, monospace;"><b>Honour Bayes</b></span></span></div>
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Jemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-50717999899594042242014-01-31T17:13:00.001-08:002014-02-01T05:57:36.634-08:00five <div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; color: #141823; font-family: Courier New, Courier, monospace; font-size: x-small; line-height: 18.600000381469727px; text-align: left; text-indent: 2px; white-space: nowrap;"><i>© Jemima Yong</i></span></div>
Jemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-26626271731601737872014-01-25T14:26:00.000-08:002014-01-31T04:52:43.510-08:00ten<iframe allowfullscreen="" frameborder="0" height="366" mozallowfullscreen="" src="//player.vimeo.com/video/85101611" webkitallowfullscreen="" width="650"></iframe> <br />
<br />Jemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-77062183301592013542014-01-25T13:44:00.000-08:002014-02-01T05:57:14.575-08:00rehearsals: week 3<div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; color: #141823; line-height: 18.600000381469727px; text-indent: 2px; white-space: nowrap;"><i><span style="font-family: Courier New, Courier, monospace; font-size: x-small;">© Jemima Yong</span></i></span></div>
Jemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-20029822991977487192014-01-21T17:59:00.001-08:002014-10-03T05:50:02.519-07:00writer/director<!--[if gte mso 9]><xml>
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<!--StartFragment--><span style="font-family: inherit;">"A director must be a policeman, a midwife,
a psychoanalyst, a sycophant and a bastard” - Billy Wilder.<!--EndFragment--></span></div>
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<span style="font-family: inherit;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: inherit;">And the writer/director?</span></div>
<div class="MsoNormal">
<span style="font-family: inherit;">Well rested, ideally.</span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif;"><br /></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-32478098800058243052014-01-19T18:22:00.000-08:002014-02-01T05:58:38.366-08:00rehearsals: week 2 <div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; color: #141823; line-height: 18.600000381469727px; text-align: left; text-indent: 2px; white-space: nowrap;"><span style="font-family: Courier New, Courier, monospace; font-size: x-small;"><i>© Jemima Yong</i></span></span></div>
Jemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-77549979731584549062014-01-18T13:12:00.002-08:002014-01-18T13:13:18.558-08:00son/daughterfor me everything leads to the 5th of february, when SUN will be public.<br />
SUN is about the future.<br />
all the while my very best friend is expecting a (real life human) child, eta 10th feb.<br />
of whom i will be godfather.<br />
i don't know if i'll ever be a father of anything but plays.<br />
there's something affecting in the synchronicity.<br />
it's his birthday today.<br />
happy birthday Sean.<br />
here's to the future.<br />
-alanUnknownnoreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-76788256087119680532014-01-16T02:58:00.000-08:002014-01-21T17:21:19.407-08:00production<div class="separator" style="clear: both; text-align: center;">
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Jemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-54157457022779233532014-01-15T12:44:00.002-08:002014-01-19T07:09:00.891-08:00dates announced, tickets released<iframe allowfullscreen="" frameborder="0" height="365" mozallowfullscreen="" src="//player.vimeo.com/video/84181570" webkitallowfullscreen="" width="650"></iframe> <br />
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SUN is playing at St Leonard's Church from the <b>05 February - 02 March 2014</b>. The show begins at 7.30pm every evening from Wednesdays to Sundays. After every Sunday show, there will be a discussion in the nave with the company which may carry on to the cafe across the road Ziferblat, or Prague bar next door, depending on the mood. Our press night is on the 06 of February, for more information on this, contact <a href="mailto:sharon@mobiusindustries.com" target="_blank">Sharon McHenry</a> of Mobius industries.<br />
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You can get your tickets <a href="http://www.brownpapertickets.com/event/536214" target="_blank">here</a>. <br />
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Here's a little interview with writer and director of SUN Alan Fieldmouse (really, his name is Alan Fielden)<br />
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<b>JY (performing the anonymous reporter): </b><span style="color: #351c75;">So I hear you're working on a show in Shoreditch Church...</span><br />
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<b>AF: </b><span style="color: magenta;">Yea</span><br />
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<span style="background-color: white; color: #351c75;">What's it about?</span><br />
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<span style="color: magenta;">It's about people dealing with mortality all over again.</span><br />
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<span style="color: #351c75;">Why did you decide to write about that?</span><br />
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<span style="color: magenta;">Do you want a beer? I can't really tell you that in a minute.</span><br />
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<span style="color: #351c75;">If you buy me a beer. Yea.</span><br />
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<i>AF laughs</i><br />
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<span style="color: magenta;">Why did I decide to write a play about that....</span><br />
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<span style="color: #351c75;">Yea! Why that? It's a bit grim...</span><br />
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<span style="color: magenta;">A lot of plays are grim. King Lear's grim. Um, who are you?</span><br />
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<span style="color: #351c75;">I'm just asking you a question. I'm a journalist.</span><br />
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<span style="color: magenta;">Oh Jesus Christ, I don't speak to journalists.</span><br />
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<i>they laugh</i><br />
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<span style="color: magenta;">It wasn't really a conscious decision to write about that.</span><br />
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<span style="color: #351c75;">Was there a conscious decision in the process of making? Did you want to write about love and ended up writing about death?</span><br />
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<span style="color: #351c75;">Which play was the first one?</span><br />
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<span style="color: magenta;">The first play was CO. The one where they're all at dinner together.</span><br />
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<span style="color: #351c75;">What was the brief when you wrote CO. ?</span><br />
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<span style="color: magenta;">I think it was a 20 minute play. I think that was all it was yea. The other play called I Know This Love of Mine was for a brief: 15 minutes long, a play about the apocolypse i think it was for <i>Little Pieces of Gold</i>.</span><br />
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<span style="color: #351c75;">When you grow up....</span><br />
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<span style="color: magenta;">When I grow up...</span><br />
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<span style="color: #351c75;">And you look back on this project... You know when you make work, when you're in it it's really hard to know what it is. But at some point in the future you will look back on this and go "oh yea!! <i>that's</i> what I was trying to do in my life", maybe that's political, maybe personal. Do you have any idea of what this is about?</span><br />
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<span style="color: magenta;">I know exactly what this is about and what it is in the scale of my life. </span><br />
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<span style="color: #351c75;">What's that?</span><br />
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<span style="color: magenta;">I'm not telling you that... Well... One thing it's about is the mortality of all love and if there's any such thing as a love that conquers death... I've had testing experiences of love in my recent life both romantically and in my family and I think that means that my head and heart are in a place of questioning the mortality of love. The inevitability of love seems to be loss; which is somehow funny and cruel and absurd. </span><br />
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<span style="color: #351c75;">Where are you going? </span><br />
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<span style="color: magenta;">Waterloo. </span><br />
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<span style="color: #351c75;">OK. Keep going, tell me about the two halves.</span><br />
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<span style="color: magenta;">The first part of the piece examines the effect of impending death on human behaviour and the second looks at the effect of scarcity on human behaviour. The second half is a lot more complicated than that because it's also about culture, renewal, teasing apart contemporary conventions. There's a belief that the world is the way it is because it has to be - look back (or forward) two hundred years and you see it's nonsense. A kind of mundane madness. </span><br />
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<span style="color: #351c75;">Would you say we live in a society where the impact of scarcity is evident, present, around? </span><br />
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<span style="color: magenta;">No, not in the first world... not in the same way. It's the scarcity of iPhones and the really important distinction is that it is an artificial scarcity; manufactured poverty - there are enough resources here... I think it was Mandela that said poverty is a human invention. There's a food bank in Westminster ten minutes walk from a very famous palace.</span><br />
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<span style="color: magenta;">Where are you going?</span><br />
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<span style="color: #351c75;">Shadwell. But I can take that one to Waterloo. </span><br />
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<span style="color: magenta;">There just aren't any good pubs around here you know...</span><br />
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<span style="color: #351c75;">Is this the one? </span><br />
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<span style="color: magenta;">No, it's the 26. </span><br />
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<span style="color: #351c75;">Cool, I'm coming with you. </span><br />
<span style="color: #351c75;"><br /></span>
-- endJemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-60331825269814897842013-11-15T07:35:00.003-08:002013-11-18T05:01:51.399-08:00reading at Calvert 22<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjN0npqet48AH3B2cL3P7tkBl6yt-0BB0MeCVtWwgjLtoGaL4aUm6NniajyJHzSUVGSTtCsJOZd4nZYQn5d40hHWv7Et_R5H7wkkMSlL-Qq0FlMfGtPTEuYgsnk8zuZTATCqjFIuJg58vo/s1600/Screen+Shot+2013-11-12+at+17.35.20.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjN0npqet48AH3B2cL3P7tkBl6yt-0BB0MeCVtWwgjLtoGaL4aUm6NniajyJHzSUVGSTtCsJOZd4nZYQn5d40hHWv7Et_R5H7wkkMSlL-Qq0FlMfGtPTEuYgsnk8zuZTATCqjFIuJg58vo/s640/Screen+Shot+2013-11-12+at+17.35.20.png" width="640" /></a>Two weeks ago we hosted a rehearsed reading of SUN at the Calvert 22 Gallery, Shoreditch, to an invited audience.<br />
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What.</div>
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There’s a gallery, here it is, chairs in rows. People walk in. Some people talk, people who didn’t arrive together. Others sit alone, run hands through hair, wait. Some drink water. I’m thirsty, go to the sink. I see a good friend has made it, that’s good. Someone’s rushing around with paper. That woman looks familiar but I can’t remember her name. Actors off to the sides, one makes a funny face at me, very unprofessional. Now it’s 7:15pm, woman gives man a nod. Man stands up and talks (that’s me). Another man talks, he’s Reverend Paul from the church. Actors assemble, take the light, begin...</div>
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I introduced the night by saying some words out loud:</div>
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‘There are three main reasons we’re doing this:</div>
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1. To try out the text.</div>
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2. To begin a conversation.</div>
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3. To appeal for funding.’</div>
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And in retrospect?:</div>
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1. The text was tried out. For the next three days (Halloween and fireworks as backdrop) I reflected. Yarn to untangle. The play-reading did not go as well as I hoped, which stung. I made notes. The reception, as I read it, wasn’t bad, though it was contained, complex, apprehensive, brain-heavy; ‘I cannot yet process what I’ve just experienced’. Diaphanous. That’s okay for now.</div>
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For perhaps two days I felt crushing doubts and enervating dejection. I know this to be a good sign. I have a renewed faith in the project. This is a marathon. Much was brought to light by the reading. Not least a reaffirmation that in SUN, the idea of text being a primary, predominant narrative element will be exploded. </div>
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2. A conversation has begun. Thank you to the people who have met for beers, who have emailed, who have interrogated, who have considered in passing whilst crossing streets, who have drawn attention to, who have mumbled incoherent, half-awake wonderings. There is so much to talk about, to try, to dig up.</div>
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3. Funding will come. There are many promising avenues. If you know of more, do let us know.</div>
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After the reading some of us made our way to St Leonards Church where SUN will be performed. Wonderful home-made food courtesy of Eva's Kitchen. Someone handed me a beer and I’m certain I was momentarily luminescent. A light, electric feeling of relief pursued by supreme exhaustion. Amusing, elucidating conversations, some big disagreements. My vocabulary waning. Wanting to lie down right there. Awe at the church. I watched the actors for signs.<br />
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In the time since there’s been a lot of good feeling. That’s very encouraging. London is a hungry city, one of the hungriest; it’s horrifying, morbid and exhilarating.</div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-73102341969743901762013-11-13T06:39:00.001-08:002013-11-15T07:48:54.644-08:00SUN shortlisted for Theatre Royal Haymarket scheme!<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQg8p4HpndC85HVuYqmMrzifdhRB7jTzntGkiYwpUJuP_hs3wOMxvEL3bkVGhBCGJiKpKlQ0os_rPTWGaKJdfl7fgLsqttUyUvosW3SQSBnlVLqJ01kxeOLdQ6aSaGp9jhXQ5hL1SICkY/s1600/602942_10151899300161427_1613530617_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="478" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQg8p4HpndC85HVuYqmMrzifdhRB7jTzntGkiYwpUJuP_hs3wOMxvEL3bkVGhBCGJiKpKlQ0os_rPTWGaKJdfl7fgLsqttUyUvosW3SQSBnlVLqJ01kxeOLdQ6aSaGp9jhXQ5hL1SICkY/s640/602942_10151899300161427_1613530617_n.jpg" width="640" /></a></div>
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Earlier this Autumn, SUN was shortlisted for Theatre Royal Haymarket's development scheme <a href="http://www.masterclass.org.uk/pitch-your-play/" target="_blank">'Pitch Your Play'</a>. We sent in a very thorough cover letter illustrating our vision of the project, a version of the script and a synopsis of the play. A couple of weeks later, Alan received a call from Hazel telling us we were one of six shortlisted for the three residencies. We went in for a conversation with a panel of producers. </div>
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Though National Art Service did not secure a residency on the scheme, the conversation we had with Siobahn, Blayne and Richard was important, nourished with a palpable energy forward moving, textured and kinetic. Andrea, Alan and I (Jemima) had a chat about it afterwards...</div>
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<b>Jemima</b>: How was that experience for you?</div>
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<b>Andrea</b>: The first thing I saw when I walked in were three beautiful smiles looking at us, really friendly and open to what it was that we had to say. I was thinking that they would very judgemental and they were going to be really harsh because we knew it wasn't a "West End show" that we were pitching to them... They spoke to us like we were equals and i think that is so important. The way they facilitated that conversation with us, was spot on. And they welcomed us to the theatre and to the possibility of doing something there. I think that within 30 minutes, we got super valuable lessons. Knowing that they weren't worried about putting our show on, but about <i>us</i> choosing to put our show <i>there</i>... which I think is incredibly humble and really fucking good advice. I think that made us feel;</div>
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<li>one - we have incredible potential and that's very nice to hear from industry professionals but also </li>
<li><span style="text-align: right;">two - that the west end is not all it seems and I think that's important for people like us... I mean, I get caught up in the whole "West End is shit", "it should be fringe" "it should be independent productions", "I'm not moved by things in the west end", but they made me realise, this whole meeting made me realise that there's an opportunity for conversation and it's already happening... </span></li>
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<b>Jemima</b>: I'd be interested in seeing what the three chosen plays are... There was something Richard said that particularly struck me - when we were trying to challenge him on positioning a play like this<br />
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in a space like that </div>
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He said something like... 'of course you working with us <i>would</i> be good because when the industry tanks, the BAC [Battersea Arts Centre] will go bust, but we [The West End] won't.' </div>
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<b>Andrea</b>: So how do we do it?</div>
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<b>Jemima</b>: I'd like to see a future where everything goes bust and <i>both</i> the BAC <i>and</i> the Theatre Royal Haymarket carry on living. And I think that can happen if more of <i>this</i> kind of work goes up in the West End.</div>
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<b>Andrea</b>: Exactly, exactly, exactly... I completely agree with you Jemima because at the end of the day, whether they go bust or not depends on the people who go! It's like a democracy; it's like politics. If you vote, you get politicians; if you go to the theatre, you get theatre... And if you choose to only attend this one type of theatre than that will be the type of theatre that exists. But if that venue takes, if a west end venue can take its place as theatre not as a venue, programming a wider spectrum of work - moving back to the roots of theatre as a means of communication, of imagining a future - then all types of theatre will survive as long as it has a strong message... which in a way is what the National does if you think about it...</div>
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<b>Jemima</b>: I think the Barbican does that a little bit. </div>
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<b>Andrea</b>: Yes, especially with The Shed now and everything... it's happening! I personally got a kick, I got a kick from it [the conversation]. I still think about it now. It's one of those memories, it leaves in the morning a feeling, a resonance. Oh, let's go outside for a cigarette...</div>
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<b>Jemima</b>: Alan, anything more to add? </div>
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<b>Alan</b>: Not at all. Shall we go outside?</div>
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Pitch Your Play will be staging readings of <i>Hatchling</i> by Poppy Corbett (08/11/13), <i>The Favorite</i> by Cathy Thomas (06/12/13) and <i>The Undone Years</i> by Simon Cotton (31/01/14) at the Theatre Royal Haymarket. </div>
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For more information: <a href="http://www.masterclass.org.uk/events">http://www.masterclass.org.uk/events</a></div>
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NAS would like to thank Blayne, Hazel, Siobahn and Richard for their time and inspiration. </div>
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Jemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-44661516645449364282013-11-12T02:06:00.002-08:002013-11-13T05:01:37.268-08:00Quartet for the End of Time / Quatuor pour la fin du temps<span style="font-family: Courier New, Courier, monospace;"><span style="background-color: white; color: #222222; line-height: 19.1875px;">Messiaen wrote in the Preface to the score that the work was inspired by text from the</span><span style="background-color: white; color: #222222; line-height: 19.1875px;"> </span><span style="background-color: white; line-height: 19.1875px;">Book of Revelation</span><span style="background-color: white; color: #222222; line-height: 19.1875px;"> </span><span style="background-color: white; color: #222222; line-height: 19.1875px;">(Rev 10:1-2, 5-7,</span><span style="background-color: white; color: #222222; line-height: 19.1875px;"> </span>King James Version<span style="background-color: white; color: #222222; line-height: 19.1875px;">):</span></span><br />
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<span style="font-family: Courier New, Courier, monospace;">"And I saw another mighty angel come down from heaven, clothed with a cloud: and a rainbow was upon his head, and his face was as it were the sun, and his feet as pillars of fire ... and he set his right foot upon the sea, and his left foot on the earth .... And the angel which I saw stand upon the sea and upon the earth lifted up his hand to heaven, and sware by him that liveth for ever and ever ... that there should be time no longer: But in the days of the voice of the seventh angel, when he shall begin to sound, the mystery of God should be finished ..."</span></h4>
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<i>http://en.wikipedia.org/wiki/Quatuor_pour_la_fin_du_temps</i><br />
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<iframe allowfullscreen="" frameborder="0" height="360" src="//www.youtube.com/embed/UeSVu1zbF94" width="640"></iframe>Jemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-39410064553446848812013-10-28T07:48:00.000-07:002014-01-03T16:43:33.865-08:00introducing... the cast of SUN<div class="separator" style="clear: both; text-align: center;">
<a href="http://nationalartservice.org.uk/whonow" target="_blank"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG6Xm0syO93gsce7peANE6N4jjB1ZnjUs_kcoFQEk0UypC__nIrvvxl_EGax7ZFzaLMCXIyVOHoGqgXcx2UQDBVgXrvVKfz8vHV9G5hL7AOz7KMdi3gqUO0jNQMzKttboXwhqFTVqQFOM/s640/Screen+Shot+2014-01-04+at+00.41.50.png" width="640" /></a></div>
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after many months of deliberation, spot the SUN character games on the street, 650 applications and 70 auditions, we have arrived at our final cast! an extraordinarily dynamic ensemble, without a cliched bone in its body; we are proud to be working with:</div>
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Duncan Wilkins</div>
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Lydia Orange</div>
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Anna Martine</div>
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Jack McMahon</div>
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Jim Murray-Perton</div>
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Oyinka Yusuff</div>
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Loukia Pierides</div>
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Daniel Somerville</div>
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Malachy Orozco</div>
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For more information on each performer, click on the image above. This will take you through to our website, where each artist has a biography and tells you a bit more about the production.</div>
Jemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-62812309654348964092013-10-28T06:50:00.003-07:002013-11-01T02:10:57.600-07:00a rehearsed reading<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOWyGlM9pDowUKvsYLZNFcwMrSY9rZKNwuRhxBhkzhzvdIas_34Lv-TGnccJTOtxDux4MfC5DWzg3dacvBjnAVZBF4EbFp813-N1u3kmitWB1s41ZfIhfNWY2GQD0GmhsmtFJDex1nak8/s1600/Screen+Shot+2013-10-28+at+13.43.08.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="526" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOWyGlM9pDowUKvsYLZNFcwMrSY9rZKNwuRhxBhkzhzvdIas_34Lv-TGnccJTOtxDux4MfC5DWzg3dacvBjnAVZBF4EbFp813-N1u3kmitWB1s41ZfIhfNWY2GQD0GmhsmtFJDex1nak8/s640/Screen+Shot+2013-10-28+at+13.43.08.png" width="640" /></a></div>
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<i><span style="font-size: x-small;">image from 'the medium is the massage by Marshall McLuhan & Quentin Fiore</span></i></div>
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we are knee deep in preparation for our rehearsed reading of the finished play (as finished as a text can be before it launches into production). this is the first 'public' event the company is holding as part of SUN's process. we have invited selected representatives from the local community, the performance and theatre industry as well as potential investors to the event. we've got some really exciting people attending! i've never had this many emails in such a short space of time.<br />
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National Art Service is hoping to begin some conversations about collaborating from here. we are looking for a big producer to help us out (operative word here is 'big' - i.e. <i>way</i> more experience and insight than us) as well as some financial support for various aspects of the project including our Young Person's Ticket Scheme and Living Room Theatre performance series...<br />
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it was brought to our attention recently that Canary Wharf is in the borough of Tower Hamlets. This is great news. great, great, news.<br />
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here are a couple of images of the company in rehearsal. special thanks to Usther & Aulad from St. Hilda's East Community Centre and Jerry Deeks & Hedayet from Brady Arts Centre.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnlHzB-KMfVs0WOiV6jQasrAjcc9dqi6iDPsm0pjLsvM24e-VVvNg65k32i-NLpneduA56lZwJ8St4xfikUCvkbIO3oeEfg4ZbV9xxthqQh0_D16EWemCd_9seVAQREbsooaPLtRNthVY/s1600/photo.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnlHzB-KMfVs0WOiV6jQasrAjcc9dqi6iDPsm0pjLsvM24e-VVvNg65k32i-NLpneduA56lZwJ8St4xfikUCvkbIO3oeEfg4ZbV9xxthqQh0_D16EWemCd_9seVAQREbsooaPLtRNthVY/s320/photo.PNG" width="180" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyxzfNn0TJgiBTfUbJ1BZ1NcF0SKeh9l3czccxhzZpBdId5N-k_wtIUmKb_M7FuX73aSETlaKULRX7JYDkZqHS3eGsRgW0v5dyui-iCWiW9dFhmGWmD0XkbEwsj2N1v6XzUL900csz0-Y/s1600/photo+(24).JPG" imageanchor="1" style="clear: left; display: inline !important; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyxzfNn0TJgiBTfUbJ1BZ1NcF0SKeh9l3czccxhzZpBdId5N-k_wtIUmKb_M7FuX73aSETlaKULRX7JYDkZqHS3eGsRgW0v5dyui-iCWiW9dFhmGWmD0XkbEwsj2N1v6XzUL900csz0-Y/s400/photo+(24).JPG" width="400" /></a></div>
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<br />Jemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-17464988266775456582013-10-26T18:00:00.000-07:002013-10-28T08:20:56.065-07:00production team get together <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC1HKeaUjFYhJ1Kco7H_lcPYpFgGeE9CrksBfSOgJHzod50owQaKA9Mtq7cHzO70cLQJD10lHe5J2_NHSIXOwi9JyzQB0DsAW1D70GkykxqkY5JG5DhjfvqjtmUmrurlIttz4325OoMlc/s1600/bild.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC1HKeaUjFYhJ1Kco7H_lcPYpFgGeE9CrksBfSOgJHzod50owQaKA9Mtq7cHzO70cLQJD10lHe5J2_NHSIXOwi9JyzQB0DsAW1D70GkykxqkY5JG5DhjfvqjtmUmrurlIttz4325OoMlc/s400/bild.JPG" width="297" /></a></div>
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"<i>I think the best way is actually to stick it in through the side, and pull it out through the windpipe otherwise it's very slow and painful.</i>"</div>
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before we begin rehearsals for our staged reading of SUN, we brought together our crew to read the finished script SUN. the church smelt heavily of frankincense. Rev Paul told us that every Saturday evening before mass, he burns a lot of it, so there's just enough lingering in the air for the morning. on Monday, the BBC move into St. Leonard's for 3 weeks of filming (clue: it's a show about a London reverend). As a result, National Art Service will be skipping around the area, rehearsing in any quiet space we can find. if you know of a space (coffee shop & office after hours, community centre, church hall, classroom...etc) that would be happy to host us (in kind) for an evening this week, contact Jemima at jemima[at]nationalartservice[dot]org[dot]uk.</div>
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<iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/117455301" width="100%"></iframe><br />
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in attendance: ziggy jacobs, jemima yong, alan fielden, fab gorjian, richard stern, luke shepherd, isabel lyster, annabelle stapleton-crittenden, natalie raaum, daniel somervilleJemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-44778412661544992192013-09-18T01:13:00.000-07:002013-09-28T14:56:34.229-07:00script development, reading 6/5 - casting, 2/2<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 115.2pt; margin-right: 0cm; margin-top: 12.0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 115.2pt; text-autospace: none; text-indent: -115.2pt;">
<span lang="EN-US" style="font-family: Courier; mso-ansi-language: EN-US; mso-bidi-font-family: Courier;">ISIS:<span style="mso-tab-count: 1;"> </span>What was that star
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<span lang="EN-US" style="font-family: Courier; mso-ansi-language: EN-US; mso-bidi-font-family: Courier;">ADAM:<span style="mso-tab-count: 1;"> </span>I don’t know. We
can make it up.<o:p></o:p></span></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCz_MQclR6RbaHTfHvQv9KgFzA5-2Wr350l-23Wn0ZGidpRD6el9Aj4dE81V4n90TF02RcSSmRaataVXX5NNKQWo2HS1JNhVz5NKvi-uETb-kmFdIEHMl1lWQIccG_ylKdW2lOD3VIi1I/s1600/14240004.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCz_MQclR6RbaHTfHvQv9KgFzA5-2Wr350l-23Wn0ZGidpRD6el9Aj4dE81V4n90TF02RcSSmRaataVXX5NNKQWo2HS1JNhVz5NKvi-uETb-kmFdIEHMl1lWQIccG_ylKdW2lOD3VIi1I/s640/14240004.JPG" width="640" /></a></div>
<br />
present: ben addicott, anna freeman, james tristram, robin hatton-gore, rev paul turp, alan fielden, jemima yong, loukia pierides, andrew earl, jack mcmahon, lydia orange, richard stern, jim murray-perton, madaleine trigg, daniel somerville, natalie raaum, malachy orozco, oyinka yusuff, fab gorjian, henry chong, anja chong, konrad molitor<br />
<br />
--<br />
<iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F111210900" width="100%"></iframe>Jemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-80591454248972631652013-09-17T01:11:00.002-07:002013-09-19T01:13:28.995-07:00a peek into home casting<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIh6VZzOZctl4Wk25J9mPytonr3T8q8tVvwLi9mat3YxbDbAmW0wq3pzU1QD8KwvcB6wQeyUNZt0OqjYhsuhLBQ5qU9kzzvOxkytUDcF-YyDzz9C51MrTOjajnGoW8hwCqa2lbLGvAnkU/s1600/03910004.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIh6VZzOZctl4Wk25J9mPytonr3T8q8tVvwLi9mat3YxbDbAmW0wq3pzU1QD8KwvcB6wQeyUNZt0OqjYhsuhLBQ5qU9kzzvOxkytUDcF-YyDzz9C51MrTOjajnGoW8hwCqa2lbLGvAnkU/s640/03910004.JPG" width="640" /></a></div>
<br />Jemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-15152500616026328112013-09-11T19:00:00.000-07:002013-10-01T00:56:46.823-07:00script development, reading 5/5 - casting, 1/2<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 115.2pt; margin-right: 0cm; margin-top: 12.0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 115.2pt; text-autospace: none; text-indent: -115.2pt;">
<span lang="EN-US" style="font-family: Courier; mso-ansi-language: EN-US; mso-bidi-font-family: Courier;">QUISS:<span style="mso-tab-count: 1;"> </span>Maggots.<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 115.2pt; margin-right: 0cm; margin-top: 12.0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 115.2pt; text-autospace: none; text-indent: -115.2pt;">
<span lang="EN-US" style="font-family: Courier; mso-ansi-language: EN-US; mso-bidi-font-family: Courier;">FREYA:<span style="mso-tab-count: 1;"> </span>Burn anything. Your
clothes. The paper. The letters. The violin. The children. The book. The skin.
The fire.<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 115.2pt; margin-right: 0cm; margin-top: 12.0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 115.2pt; text-autospace: none; text-indent: -115.2pt;">
<span lang="EN-US" style="font-family: Courier; mso-ansi-language: EN-US; mso-bidi-font-family: Courier;">OMEGA:<span style="mso-tab-count: 1;"> </span>I would like to
have flown in a plane. Above an auction.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Courier; mso-ansi-language: EN-US; mso-bidi-font-family: Courier;">QUISS:<span style="mso-tab-count: 1;"> </span>Maggots.<o:p></o:p></span></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisvNbUEYiRFfuyG6UkEG0MP3v1A8DfRBCqW0viWin8vn0AK9qKU0MGCJCWvLVIZIJ7l0TxtJ97SQVGjQ_yKZjKntDyDddtxH3xTSIjuTldf46bGnYEm5PZZDD9SNquaVExstI4up-4uxU/s1600/03910005.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisvNbUEYiRFfuyG6UkEG0MP3v1A8DfRBCqW0viWin8vn0AK9qKU0MGCJCWvLVIZIJ7l0TxtJ97SQVGjQ_yKZjKntDyDddtxH3xTSIjuTldf46bGnYEm5PZZDD9SNquaVExstI4up-4uxU/s640/03910005.JPG" width="640" /></a></div>
<br />
present: anna freeman, alan fielden, sophie grodin, lydia orange, luke shepherd, andrew earl, anisha fields, robin hatton-gore, john hastings, jemima yong, ross sutherland, rik stern, jack mcmahon, jim murray-perton, pernilla holland, andrea de la cruz barral, oyinka yusuff<br />
<br />
special thanks to jerry deeks and brady arts centre<br />
<br />
--<br />
<br />
<iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F110126383" width="100%"></iframe><br />
<br />
<span style="font-family: Courier New, Courier, monospace;"><span style="background-color: white; color: #222222; font-size: 13.333333969116211px;"><br /></span></span><span style="font-family: Courier New, Courier, monospace;"><span style="background-color: white; color: #222222; font-size: 13.333333969116211px;">"<i>...illuminating & enjoyable. I admire your capacity to create something new from scratch, develop it collectively and openly, & the passion & enthusiasm with which you inhabit your work.</i>"</span></span><br />
<span style="font-family: Courier New, Courier, monospace;"><span style="background-color: white; color: #222222; font-size: 13.333333969116211px;"><br /></span></span><span style="font-family: Courier New, Courier, monospace;"><span style="background-color: white; color: #222222; font-size: 13.333333969116211px;">- Robin Hatton-Gore, </span></span><span style="background-color: white; color: #222222; font-family: 'Courier New', Courier, monospace; font-size: 13.333333969116211px;">St Leonard's Church</span><br />
<span style="background-color: white; color: #222222; font-family: 'Courier New', Courier, monospace; font-size: 13.333333969116211px;"><br /></span>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCEtP_utkGvM40k-7tByx049MR3RZHQFh6S3dh1sEtHhj38K6NM1gFwc_l3b1FGJlkh6hqQpYHhCS4RSabRihbll7mZzLqdV828o7TiS1DZGj8xkXKbNDA5PsUPJY78-69j23VU7ITkr0/s1600/2013-09-11+19.05.17+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCEtP_utkGvM40k-7tByx049MR3RZHQFh6S3dh1sEtHhj38K6NM1gFwc_l3b1FGJlkh6hqQpYHhCS4RSabRihbll7mZzLqdV828o7TiS1DZGj8xkXKbNDA5PsUPJY78-69j23VU7ITkr0/s640/2013-09-11+19.05.17+copy.jpg" width="640" /></a></div>
<span style="background-color: white; color: #222222; font-family: 'Courier New', Courier, monospace; font-size: 13.333333969116211px;"><br /></span>Jemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-45829837493991915262013-09-07T07:27:00.000-07:002013-09-09T16:37:39.278-07:00Overheard at Casting - Weekend TWO<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl_g2_4bZyDsygWf4XYMLedVw4y8iTCqc1fF0BaN3hNHyZIguRZduCbQyWnLYNsLhUWtOVQFDFKEsJLeLli4KzKOMI73HDBw2_iPUCFaT2cl7lNW56iJQo03_qroFJBruHZWC4xPMwrTA/s1600/IMG_8084.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl_g2_4bZyDsygWf4XYMLedVw4y8iTCqc1fF0BaN3hNHyZIguRZduCbQyWnLYNsLhUWtOVQFDFKEsJLeLli4KzKOMI73HDBw2_iPUCFaT2cl7lNW56iJQo03_qroFJBruHZWC4xPMwrTA/s640/IMG_8084.JPG" width="640" /></a></div>
<br />
"He always seemed happy but there was no reason to be so. He grew older and was surrounded by nothing; he didn't cultivate his surroundings."<br />
<br />
"Every time I look at spatulas with a smiley face on it, I just freak out."<br />
<br />
"You may call him a fool because he lives all alone on a hillside."<br />
<br />
"This is for you dear, you might need it... obviously she slapped me."<br />
<br />
"Sam's worst nightmare is to wake up in the body of a frog."<br />
<br />
"Everyone is born for a purpose, my purpose is to kill people. I've killed my parents and my brother with this [the wooden spoon with a smiley face on it]."<br />
<br />
"Today is not a good day, today I feel like fucking shit."<br />
<br />
"This is what the savages called 'a blade', we don't need it anymore, we just use our eyes and our thoughts now."<br />
<br />
"Alice used to tie herself up to prepare herself for old age."<br />
<br />
"I wanted to gorge her eyes out, not his. But that's wrong. I should gorge <i>his</i> eyes out."<br />
<br />
"Funerals... they are like chilli sauce on your wounds."<br />
<br />
"Jail of children"<br />
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5ObGKH67Ebgmh3FMK5NJi4QJ-bnXvf-LhwqIUfwnbEgXW7kkRdfrARlpsyZ_BBFbjYsw2XXmyhd5lc6V3XAvQsuZlGKW1NzdTtFg3kh-D6dXYv4yVgqJvqDi9P7jTCFJdCqjb6AvwPyI/s1600/IMG_8125.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5ObGKH67Ebgmh3FMK5NJi4QJ-bnXvf-LhwqIUfwnbEgXW7kkRdfrARlpsyZ_BBFbjYsw2XXmyhd5lc6V3XAvQsuZlGKW1NzdTtFg3kh-D6dXYv4yVgqJvqDi9P7jTCFJdCqjb6AvwPyI/s640/IMG_8125.JPG" width="640" /></a></div>
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"If you hear some strange jumping and shouting, it's just some desperate thespian trying to get work." </div>
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<br /></div>
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-"It doesn't make any sense"</div>
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- "It doesn't <i>need</i> to make any sense"</div>
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<br /></div>
<div class="separator" style="clear: both; text-align: left;">
"Smoke wasn't the commodity it is now, but it was beginning to become scarce at the time. The group called 'the smokers', they were dwindling." </div>
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<br /></div>
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"As you can see, this watch is missing a face. Someone is also missing a face"</div>
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<br /></div>
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"Is someone's envy were to drop, they would be injected with a solution of vinegar, tabasco and crack."</div>
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"It was the perfect chance to bond! 'You haven't got a job, I haven't got a job... What are you doing tomorrow? Because I've certainly got nothing on."</div>
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Special thanks to our guests on the panel: Bella Lyster, Claudia Jefferies & Sophie Grodin</div>
<br />Jemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-76290367508769101372013-09-02T01:12:00.001-07:002013-09-09T16:20:38.589-07:00Overheard at Casting - Weekend ONE<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKFr6aeEWhvdTAz3_MjJkl4cpNb0Vkm9YhkV8ikY9FYRjyBqRCMz969ppbXb4MPJLT2lrwSn4F0r4AueOKxByfl-frZpzQqxy63F0_kri_K8zJYFqQY9lUApkgQQXMlaXN-HxBZta1tXs/s1600/2013-08-31+14.05.45.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="472" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKFr6aeEWhvdTAz3_MjJkl4cpNb0Vkm9YhkV8ikY9FYRjyBqRCMz969ppbXb4MPJLT2lrwSn4F0r4AueOKxByfl-frZpzQqxy63F0_kri_K8zJYFqQY9lUApkgQQXMlaXN-HxBZta1tXs/s640/2013-08-31+14.05.45.jpg" width="640" /></a></div>
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"Every time I go back to Gibraltar, having a beer, tackling a monkey, I'll be doing it for you."<br />
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"I watched my house on fire, eating chocolate."<br />
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"Poets are like monkeys. Monkeys like philosophers."<br />
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"If you're on time, you're late. If you're early, you're on time. And if you're late, that's unacceptable."<br />
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"... for the first time in eons, the human race could clean itself." - archaeologist on the Water Resistant Bracelet<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJaEWgIv_mgyyCH0ZM4j0E5zY0FQu3hfSla2FMAbBMAW9HXNn3EYl2RgxkgNqQtpzudruPs7u8orQkVcW-08TGEVsOKghcTHG0XvqXuqwCyI50JlpADP2AHskKr3SE_hxw2k68v_ZoUhw/s1600/BTL_WM-IEAAu9wL.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="472" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJaEWgIv_mgyyCH0ZM4j0E5zY0FQu3hfSla2FMAbBMAW9HXNn3EYl2RgxkgNqQtpzudruPs7u8orQkVcW-08TGEVsOKghcTHG0XvqXuqwCyI50JlpADP2AHskKr3SE_hxw2k68v_ZoUhw/s640/BTL_WM-IEAAu9wL.jpeg" width="640" /></a></div>
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"This calms the monkey from its itchy terror."<br />
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"It's definitely not man made material. It's not plastic, it's not aluminium. What else could it be?" - an archaeologist, 1000 years in the future<br />
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"This soup is so cold I could put my dick in it and it wouldn't burn."<br />
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"They didn't want to bury him with a spoon on his face."<br />
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"My great, great uncle, he's a bit furry. As you can see, this runs in the family."<br />
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"Electronics. It was big in the day, things didn't run on gogo juice back then."<br />
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Special thanks to our guests on the panel: Claudia Jefferies, Ben Addicott & Fab GorjianJemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-75443902762389541912013-08-21T06:47:00.000-07:002013-09-20T00:38:34.679-07:00script development, reading 4/5HELEN: We could go into town.<br />
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DAVID: We could get drunk. Drunk to hell. More drunk than we ever have. More drunk than when we were fifteen. No hangover.<br />
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SAM: We could do each other.<br />
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ISOLDE: I don't want to do that.
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG022iJVEXDHqX0ujM3exxKFG6VCRwDV2jyBkwt4kzhMNDF-Yln_WUEX4BBAY03vUZ_d2tJqnIo3V2xJFHgxt7RaKycIn2xRzFlWWkuNTbi5Mm_jdd0orwfK-J6MvcKzzFTfum_BoCaDI/s1600/85150001.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG022iJVEXDHqX0ujM3exxKFG6VCRwDV2jyBkwt4kzhMNDF-Yln_WUEX4BBAY03vUZ_d2tJqnIo3V2xJFHgxt7RaKycIn2xRzFlWWkuNTbi5Mm_jdd0orwfK-J6MvcKzzFTfum_BoCaDI/s640/85150001.JPG" width="640" /></a></div>
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present: louise kemeny, alan fielden, jemima yong, anna freeman, andrea de la cruz barral, jim murray-perton, claudia jefferies, natalie raaum, fab gorjian.<br />
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<iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F106722298" width="100%"></iframe>Jemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-42649721850360571552013-08-08T10:35:00.000-07:002013-08-08T16:55:21.315-07:00Black and white pinhole image of St. Leonard's Churchwe just received this lovely pinhole photograph of St. Leonard's Church taken by Peter Locker<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuwDfxFz77g0_sbropSZYKrTG-Jm66juOGUz7qdvw600qhzdRBc94JJiVSkcMeW8x7i0PigeCCu2ERtPy772DHy71xgd8-QbT1ALSC9yfarWFjH-dE8m1wbGLzCF9N0to-jlNwX8VVvRs/s1600/St+Leonards+pinhole_image_courtesy_of+Peter_Locker.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="482" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuwDfxFz77g0_sbropSZYKrTG-Jm66juOGUz7qdvw600qhzdRBc94JJiVSkcMeW8x7i0PigeCCu2ERtPy772DHy71xgd8-QbT1ALSC9yfarWFjH-dE8m1wbGLzCF9N0to-jlNwX8VVvRs/s640/St+Leonards+pinhole_image_courtesy_of+Peter_Locker.JPG" width="640" /></a></div>
Jemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.com0tag:blogger.com,1999:blog-675165555648747834.post-11980860270796429912013-08-03T04:15:00.003-07:002013-10-01T00:30:07.820-07:00the plaque at St. Leonard's<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSFjRzt18wPEWSW7UZePZrv_2gS6ykQTACGjk4iQJ7749TIqKqhmZtXImNUymY_LEHq9LY0MaPSC3qv1JYtBkl5GTURxplviRuXUOi__RIyYKds24ovpjskutRSHICZw2BOUAY3I5pkV4/s1600/tumblr_mo333dipcy1s5kajso1_1280.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSFjRzt18wPEWSW7UZePZrv_2gS6ykQTACGjk4iQJ7749TIqKqhmZtXImNUymY_LEHq9LY0MaPSC3qv1JYtBkl5GTURxplviRuXUOi__RIyYKds24ovpjskutRSHICZw2BOUAY3I5pkV4/s640/tumblr_mo333dipcy1s5kajso1_1280.jpg" width="640" /></a></div>
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"THIS STONE IS PLACED HERE to the GLORY OF GOD IN ACKNOWLEDGEMENT of the WORK DONE FOR ENGLISH DRAMA by the PLAYERS-MUSICIANS and OTHER MEN of the THEATRE WHO ARE BURIED WITHIN the PRECINCTS of this CHURCH and IN PARTICULAR TO THE MEMORY OF THOSE WHO ARE NAMED BELOW.<br />
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<span style="color: #7f6000;">JAMES BURBAGE</span> . died 1597 . A JOINER by TRADE and the HEAD OF LORD LEICESTER'S PLAYERS WHO in 1576 BUILT IN SHOREDITCH THE FIRST ENGLISH PLAYHOUSE ::: THIS HE CALLED THE THEATRE <span style="color: #7f6000;">CUTHBERT BURBAGE</span> . died 1636 . his SON who in 1599 BUILT in SOUTHWARK the FAMOUS GLOBE PLAYHOUSE <span style="color: #7f6000;">RICHARD BURBAGE</span> . died 1619 . at so his SON THE GREAT TRAGEDIAN AND the FIRST ACTOR to PLAY the PARTS of RICHARD III and HAMLET <span style="color: #7f6000;">WILLIAM SOMERS</span> . died 1569 . COURT JESTER TO HENRY VIII . <span style="color: #7f6000;">RICHARD TARLTON</span> . died 1588 . one of QUEEN ELIZABETH'S PLAYERS . and the FOREMOST COMIC ACTOR of his TIME . <span style="color: #7f6000;">GABRIEL SPENCER .</span> died 1598 . a PLAYER at THE ROSE THEATRE <span style="color: #7f6000;">WILLIAM SLY</span> . died 1608 . AND <span style="color: #7f6000;">RICHARD COWLEY</span> . died 1619 . PLAYERS at THE GLOBE THEATRE"Jemima Yonghttp://www.blogger.com/profile/04162899317494718628noreply@blogger.com0